Terra Dei 1995


(for full version of booklet click on the cover)

:: LISTEN ::

:: LABELS ::

1996. CD.60492 [CD] Erdenklang (Germany)

:: TRACKS ::

mp3
3:32
DDD
mp3
3:35
DDD
mp3
3:39
DDD
mp3
5:08
DDD
mp3
4:58
ADD
mp3
8:31
ADD
mp3
6:37
ADD
mp3
15:20
ADD

T E R R A   D E I
IS THE EARTH OF GOD.

It belongs to the God who has been created by us.
Therefore our Earth and its world are exactly the same as our God.
This world is not the one that was originally created, it's a smashed version of it.
Therefore, seen from this perspective,
the most beautiful thing is destruction itself, and its art.

This kind of art is that of alienation of the human race and its fake consciousness
which has been artificially conditioned.
In this world music has changed direction
and the oscillation of its slewing rhythm crushes again and again the traditional form of music.

So the music of TERRA DEI
- although it wants to be a spiritual exodus from the world that was made uninhabitable by us -
is only a fathful reflection of the world of our God's planet.

Lāszlō Hortobāgyi

Gaga Janus
3:32 . DDD

Introitus ambigüa by the Ono Kai Gagaku Electric.

Hemis Mela
3:35 . DDD

Mushroom ceremonial music by the Beings of Zeta Reticulum;
scattering of the spore to Earth according to the Mazatec Tradtion.

Sangha-Kirtan
3:39 . DDD

A congregational song by the Black Knights of Kyniarwanda Communion
at the Mahaganja Feast.

Terra Dei
5:08 . DDD

This is the Land of the Human Beings' artefact God.

Hindigeetāla
4:58 . ADD

A Bhakti-geet by the Intelektrik Vādya-Vrinda of Varanasi,
a recording from the "Hindusthāni Gharānā" file,
a server of Agra-Polis Collection.

Mong-Riddum
8:31 . ADD

A magdal (praise song) followed by the Halha Tradition if Gobi.

Sol-Acidhun
6:37 . ADD

the Pygmie Magician's song from the Heaven of Dodon People

Trance-Macabre
15:20 . ADD

in seve phase of Māyā:
1. Preces
2. Aid-choral; "al-Kaffaljidhma"
3. Trance Macabre
4. Cathedral Sūtra; "Zuben Hakrabi"
5. Gradule; "Mirfak al-Toliman"
6. Trance Communio
7. Ite missa est...

 

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